Thinking of Leonard Cohen


by Hazel Field
Portrait by Hazel Field

I first encountered Leonard Cohen in the ’80s during the music television experience and ‘I’m Your Man’ seemed to morph between melody and Cohen’s iconic face. But memory isn’t always reliable. Sometimes it tricks on recall and still the impression remains vivid. 

Years later an interest in poetry led to a second and more reliable encounter. My appreciation felt like a kind of binary experience where I took to the lyrics & then the changes. Or was it the melody before the words? Anyhow, it had little to do with me but rather having been drawn toward the beguiling personality as much as the verse. His career as singer, writer and his mainstream & commercial success defy conventional wisdom as he magically redefines the role of contemporary poet. What appears as a natural, almost organic public output is surely an implausible balancing act for others and his poems’ most private thoughts seem impervious to commercial exposure. Then there’s the phenomena where songs are so celebrated they take on a life of their own and become universal standards. Hallelujah’s multi verse complexity is counter balanced with its perfectly weighted hymnal changes speaking across generations. But to me it’s the private experience that’s the thing, something like finding a guitar in the back of the cupboard with a songbook in the case – and invariably it’s Dylan or..Leonard Cohen.


Almost blue: confessions of a jazz junkie

Well just about, in fact “..within a hair’s breadth of death”. Chet Bakers’s public admission in Today magazine of 1963 was a no-holes-barred confession that would seem to reflect a complete disregard for his life and personal reputation.


Chet Baker by William Claxton


From being the fastest rising jazzman in the business, I have become the world’s best known junkie. Police, medical authorities, the customs men of a dozen countries, the F.B.I. and the British Home Office..all keep a close eye on me..I have pumped enough dope into me to kill a quarter of a million normal people..I am nauseated and appalled by my drug madness. I loath myself for my addiction. It is sheer lunacy.. etc.

But strangely, after going public in this way, he just seemed to gain notoriety. Infamy could best describe him not withstanding film star looks – vividly described by the photographer Claxton.

How good was the so called ‘James Dean of jazz’ ? Certainly good enough for Charlie Parker to seek him out for his quintet in May, 1952 & to quote him: “You better look out there’s a little white cat on the coast who’s gonna eat you up” (Or was it really the dope connection?)

But it wasn’t just his looks, as Parker’s Whitlock (subbing band member) confides: “I remember him (Parker) being absolutely dazzled by his ear”. A similar account in regards to his bravura playing from Art Blakey at the Bryant with Thelonious Monk: “I didn’t know this motherf@#0* could play like this”.

West coast cool, the sound of Gerry Mulligan’s Quartet, Pacific Jazz label and community of musicians are an inherent part of  Baker’s formative career; his was the sound of Southern California, the sun & the beach. But somehow the persona and the music seem remote as ever.

And he is capable of heart breaking lyricism:



Maybe his real fame lay in the combination of these attributes: his boyish looks, the bored, cool exterior – as much the effect of addiction – along with the androgynous singing voice.

It is not surprising he continues to be the subject of movies and productions: the Jeckel and Hyde persona, the erratic behaviour, the raw talent, his seemingly effortless performances and see-sawing personal life and fortune including film appearances. And a noteworthy laissez-faire remark on meeting Mussolini’s musician son, Romano: “Gee, It’s a drag about your old man” (!)

Finally, a recent comment on Almost Blue YouTube feed befitting his legacy:

‘We should send Chet discography into space just to let the whole universe know that we are capable of something beautiful after all’  Francesco


Born to Be Blue starring Ethan Hawke (2016)


Interview with Robert Lloyd

My first encounter with Robert Lloyd the musician happened by chance when I stumbled upon a live performance at the Adelaide Festival Centre way back when. I was struck by the vitality and high energy music; his ensemble left a resonance with the listener hitherto unknown to me. 

Back then the term ‘World Music’ didn’t exist and he definitely pre-dated the notion. At the time the concept of a life long friendship with Robert would have seemed fanciful but it’s given me the chance to see the morphing and changes in his musical styles and approaches; he is now a writer & composer, a singer and poet.

head pic
Portrait by Vanessa Allen

Do you have a stand out memory from your childhood?

Yes, Mum and Dad dancing to Glen Miller around the lounge room

What was your earliest childhood memory?

Lynn, my sister and I sitting on our front porch waiting for our newly born brother, Peter to come home from hospital. I was 6 years

What did your parents do? How did they influence you (in any special way in life)?

Mum was a Telephonist & I learned the value of speech and communication from her. Dad was an Aquarian and did many things from a furniture salesman to a cabby. He was a very good looking guy and a gentleman. He got on well with women!

Is there a stand out moment in your life you can recall or special moment that changed your life?

I’ve had a few but perhaps when mum let me sit and watch a 11.30pm TV program called ‘The Jazz Scene U.S.A.’ to watch The John Coltrane Quartet

Is there someone who especially influenced you in any way?

Miles Davis – in every way because he kept growing and changing musically. This is what turns me on

Have you lived outside of your present city or country? What were the circumstances?

Yes, a number of places. Bali was a big influence because of Gamelan music and Paris because of Debussy, Ravel, Satie and Darius Milhaud

What is your favourite food or cuisine?

Mediterranean cuisine such as Spanish and Greek food. I like their combination of meat with salad & less grain and also the combination of food with music

Who is your favourite celebrity (past or present) & why?

Can’t think of any off hand – Yes, Charlie Chaplin

Who is your favourite musician & why?

My favourite musician is Miles Davis. He was a Gemini like me. He constantly evolved as a musician. The documentary ‘Ballad Of a Changing Man’ reveals how I musically evolved as well

Who is the person you’d most want to have a conversation over dinner with (anyone for any reason)?

Frank Lloyd Wright because of his creative genius and ability to continue designing against public opinion. Also Leonard Cohen for many musical reasons but also for fabulous conversation. He is an interface between Judaism and his song writing

If you could only take a handful of records (music) to a desert island, what would they be?

Kind of Blue, Songs of Leonard Cohen, Ravel’s Piano Concerto in G Major – especially Martha Argerich’s performance, Pet Sounds, Arvo Pärt’s Tabula Rasa

If you could bring just one or two books to a desert island, what would they be?

The Power of Now by Eckhart Tolle. There are so many books. The Old Testament. The Poetry of Dylan Thomas

What book are you reading at the moment?

The Blue Moment: Miles Davis’s Kind of Blue and the Remaking of Modern Music by Richard Williams

What is your secret vice (anything, drink type, chocolate etc)?

It’s a secret!

Favourite word or saying?

Timing is everything – mine

How do you relax or spend your time when not working?

Yoga and reading

Is there something you have done you are most proud of?

Performing ‘Feral’ in Cleveland. Also ‘Nullarbor’ at the Joyce Theater in NYC

Anything else you’d like to add?

Being true to yourself and follow your dream