The Girl in the Spider’s Web

A computer code designed to access the world’s nuclear arsenal forms the basis for another Millennium series story. Typical of Stieg Larsson – but this time David Lagercrantz – the story draws upon interpersonal forces that transcend the crime thriller and imbue it with deeper meaning. While Dan Brown ‘does the’ weird religious symbology, Sieig Larsson prefers the scary domestics. The black leather cladded, bike riding, computer hacker along with other lonesome characters are set within an appropriately alienating industrial landscape to complete theĀ Larsson formula where the external reflects the internal. Continue reading The Girl in the Spider’s Web