Unhinged

I found myself watching Unhinged at the local cinema and wondered why I was there. Its the first time I could actually visit the cinema after the covid lockdown but it felt anticlimactic. A lawyer friend recommended the flick but it wasn’t until a critical scene that it ‘clicked’. Here is a lawyer on celluloid who is subject to the wrath of a road raging psychopath. The ‘unhinged’ Tom Cooper (Russell Crowe) manages to track them down on his victim’s phone. The grizzly scene is set in a suburban diner and ends quickly enough when Cooper reveals his intent. Continue reading Unhinged

Starman’s Haddon Hall

@ Haddon Hall, april 1971 alt.jpeg
in the Mr Fish dress, Haddon Hall, 1971

Paul Trynka’s book titled Starman (2011) was written well before David Bowie’s passing away but is probably still the most definitive biography. There have been countless publications since but Trynka manages to cover the complexity and detail of the subject that is Bowie, formally David Jones of Bromley.

Continue reading Starman’s Haddon Hall

Young Hitler

He was a bohemian with shoulder length hair. A street dweller with delusions of grandeur- only in his case, actually achieving grandeur while remaining delusional.
He sketched the buildings and facades around him and failing entry to art school remained naive to contemporary artistic trends. He was somehow stymied and instead of open mindedness toward Austria’s eclectic cultural world his outlook remained protracted – he would appreciate only Wagner and Classicism. Continue reading Young Hitler

Alexander Calder

As you enter the exhibition you are immersed in space and colour. But this is unexpected because the exhibits are all around you and some in motion. A great array of forms in all shapes and sizes. Some of these are vast as they tower above you while others appear weightless and almost float away. You are made aware of your human scale.
The effect is perhaps more akin to a child’s first impression. It’s not surprising mobiles are used to adorn baby’s cribs.
There are many stabiles on exhibit and some are as arresting as the mobiles. Their shapes are similar while their colours are limited to primaries. Continue reading Alexander Calder