Alexander Calder

As you enter the exhibition you are immersed in space and colour. But this is unexpected because the exhibits are all around you and some in motion. A great array of forms in all shapes and sizes. Some of these are vast as they tower above you while others appear weightless and almost float away. You are made aware of your human scale.
The effect is perhaps more akin to a child’s first impression. It’s not surprising mobiles are used to adorn baby’s cribs.
There are many stabiles on exhibit and some are as arresting as the mobiles. Their shapes are similar while their colours are limited to primaries. Continue reading Alexander Calder

Joker

Beyond the criticism surrounding the movie Joker there is a story that sets out to challenge the status quo. While there may be some unappetising moments, the difficulty lies in a comic book character lost in genre translation rather than Joaquin Phoenix’s performance. Acknowledging the criticism, I believe the movie successfully portrays a dark and foreboding character.
Director Todd Phillips’ intention is a fresh take on the Joker character and to interpret it in a social realist way so as to delve into the layered depth of the personality. This in itself is challenging because the context is made unfamiliar. But ultimately Todd Phillips is successful in doing so. Continue reading Joker

First Man

For such an historic and iconic theme as the Apollo 11 moon landing any director is taking a big leap..
Damien Chazelle (director La La Land and Whiplash) must have been aware of the cultural and historical expectations for a feature film on Neil Armstrong.
Before the space race and the cold war of mid 20th century, indeed since the dawn of civilization, these expectations were building. Continue reading First Man