Hounds of Love

In keeping with the theme of the last review, Ben Young’s 2017 Hounds of Love is also art-house horror.
From the opening slow-mo to the final frame, some two hours later you are kept on the edge of your seat. David Stratton’s assessment as a ‘little masterpiece of horror’ is noteworthy (even if somewhat skewed toward the home grown). Suburban Perth, circa 1987 has the requisite vibe of bland befitting the serial killer setting. If it weren’t such a tightly edited, well honed piece of story telling you’d be forgiven if you thought it true crime and not concocted by the talented debut director, Ben Young. Continue reading Hounds of Love

The Girl in the Spider’s Web

A computer code designed to access the world’s nuclear arsenal forms the basis for another Millennium series story. Typical of Stieg Larsson – but this time David Lagercrantz – the story draws upon interpersonal forces that transcend the crime thriller and imbue it with deeper meaning. While Dan Brown ‘does the’ weird religious symbology, Sieig Larsson prefers the scary domestics. The black leather cladded, bike riding, computer hacker along with other lonesome characters are set within an appropriately alienating industrial landscape to complete the Larsson formula where the external reflects the internal. Continue reading The Girl in the Spider’s Web