I found myself watching Unhinged at the local cinema and wondered why I was there. Its the first time I could actually visit the cinema after the covid lockdown but it felt anticlimactic. A lawyer friend recommended the flick but it wasn’t until a critical scene that it ‘clicked’. Here is a lawyer on celluloid who is subject to the wrath of a road raging psychopath. The ‘unhinged’ Tom Cooper (Russell Crowe) manages to track them down on his victim’s phone. The grizzly scene is set in a suburban diner and ends quickly enough when Cooper reveals his intent. Continue reading Unhinged
Category: Media
Match Point
In the absence of social media and in the time of flip phones and cigarettes, Match Point still feels strangely modern. Woody Allen’s film is a high stakes drama that stands the test of time. Chris Wilton (Jonathan Rhys-Meyers) has dropped out of professional tennis and is in search of a new life. A chance encounter with femme fatale Nola (Scarlett Johansson) at his fiancée’s upper class gathering seals his fate. “Are you my next victim?” she says perhaps sensing something beyond their mutual attraction and a shared future. But nothing will prepare her for this liaison.
Contagion
It’s amazing how quickly things change. In the space of a week we are somewhere else, what we care about, what we act upon. A fortnight ago seems the distant past, another world considering the maelstrom of events. We lived with endless opportunity and unlimited possibilities. You could go anywhere, get anything or even be anything you wanted.
Alexander Calder
As you enter the exhibition you are immersed in space and colour. But this is unexpected because the exhibits are all around you and some in motion. A great array of forms in all shapes and sizes. Some of these are vast as they tower above you while others appear weightless and almost float away. You are made aware of your human scale.
The effect is perhaps more akin to a child’s first impression. It’s not surprising mobiles are used to adorn baby’s cribs.
There are many stabiles on exhibit and some are as arresting as the mobiles. Their shapes are similar while their colours are limited to primaries. Continue reading Alexander Calder
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